I persuaded the widow that I had to get her husband’s “technical matters”. I bore the document away and began to read it on the London boat.

It was a naive sailor’s effort at a diary – to recall day by day that last awful voyage.

Johansen, thank God, did not know quite all, even though he saw the city and the Thing. I shall never sleep calmly again when I think of the horrors that lurk ceaselessly behind life in time and in space, and of those blasphemies from elder stars which dream beneath the sea.

Johansen’s voyage had begun just as he told it to the vice-admiralty. The Emma had left Auckland on February 20th, and had felt the full force of the earthquake-born tempest. Once more under control,[93] the ship was making good progress when held up[94] by the Alert on March 22nd, and I could feel the mate’s regret as he wrote of her bombardment and sinking. He speaks with significant horror of the swarthy cult-fiends on the Alert. Then, driven ahead by curiosity in their captured yacht under Johansen’s command, the men saw a great stone pillar sticking out of the sea, and in S. Latitude 47°9’, W. Longitude 123°43’, came upon a coastline of mingled mud, ooze, and weedy Cyclopean masonry which can be nothing less than the tangible substance of earth’s supreme terror – the nightmare corpse-city of R’lyeh, that was built in measureless ages behind history by the vast, loathsome creatures that came down from the dark stars. There lay great Cthulhu and his hordes, hidden in green slimy vaults and sending out the thoughts that spread fear to the dreams of the sensitive. The thoughts called imperiously to the faithful to come on a pilgrimage of liberation and restoration. All this Johansen did not suspect, but he soon saw enough!

I suppose that only a single mountain-top, the hideous monolith-crowned citadel whereon great Cthulhu was buried, actually emerged from the waters. Johansen and his men were awed by the cosmic majesty of this dripping Babylon of elder demons, and probably guessed that it was nothing of this planet. Awe at the unbelievable size of the greenish stone blocks, at the height of the great carven monolith, and at the identity of the colossal statues and bas-reliefs with the queer image found in the shrine on the Alert, is visible in every line of the frightened description.

Johansen and his men landed at a sloping mud-bank on this monstrous Acropolis, and clambered slipperily up over titan oozy blocks. Even the sun seemed distorted.

It was Rodriguez the Portuguese[95] who climbed up the foot of the monolith and shouted of what he had found. The rest followed him, and looked curiously at the immense carved door with the squid-dragon bas-relief. It was, Johansen said, like a great barn-door; and they all felt that it was a door, though they could not decide whether it lay flat like a trap-door[96] or slantwise like an outside cellar-door. As Wilcox said, the geometry of the place was all wrong. One could not be sure that the sea and the ground were horizontal, because the relative position of everything else seemed phantasmally variable.

Briden pushed at the stone in several places without result. Then Donovan[97] studied the edge, pressing each point separately. He climbed along the grotesque stone moulding – and the men wondered how any door in the universe could be so vast. Then, very softly and slowly, the acre-great lintel began to go down; and they saw that it was balanced.

Everyone watched the queer recession of the monstrously carven portal. In this prismatic distortion it moved in a diagonal way.