CONSULTANT: (from her corner) All the same, it seems to me that the words are important too.

DIRECTOR: (to CONSULTANT) Should I kick you out now or wait for you to pipe up again? (to MAN) Continue. Your face should be sad but at the same time serene, inspiring energy and optimism. Yes, your best friend has left you too soon, but he will always stay with you, in your heart. He will not be forgotten. His work will never die. And you will be the one to carry it on. So, start over! Sobs constrict your throat…

MAN: (in a strangled voice, while unsuccessfully trying to create a mixture of sadness, energy, and optimism on his face) Dear brother!

DIRECTOR: What are you muttering there?

MAN: This sobbing’s making my throat tight.

DIRECTOR: So it’s tight, but you still have to speak clearly.

MAN: (in his own voice) All this is very difficult. How can anybody portray sorrow and optimism at once? This isn’t going anywhere.

DIRECTOR: (furious) It isn’t going anywhere because you don’t know how to put in the work, and you don’t even want to. I’m afraid I’m only wasting my precious time with you.

MAN: (unexpectedly gruff and arrogant) You forget yourself, my dear sir. Please watch your tone. Yes, we have no acting talent. What of it? We don’t have to. We’re busy with more important things. Politicians should never be actors.

DIRECTOR: You’re wrong. It’s actors who should never be politicians. A good politician ought to be an actor, though. But so be it. If I ever find the time, I’ll give you some private lessons. Provided you make it worth my while, needless to say. In the meantime, go run your lines in front of a mirror and learn the words.

MAN: (tightly wound now) You’re being way too familiar, and it’s unacceptable – do you hear me? We’re not floozies in vaudeville or wherever you normally do your thing, but upstanding, respected people. Conduct yourself accordingly.

DIRECTOR: Theater 101: the director is all, and the rest, whoever they may be, are nobody and nothing, empty suits, clothes hangers, dolls, and puppets. Is that clear?

MAN: And I say again: we will not tolerate being taunted just because we’re having trouble with one thing or another!

DIRECTOR: (mocking) “With one thing or another”… Such modesty! “One thing or another”! (ferociously.) You’re having trouble with everything! Do you hear? Everything! (thinks for a moment) This is what I’m going to do. Tomorrow I’m going to put a sniper in the window of the building closest to the square. And if you haven’t learned your lines, as soon as you make the first mistake, the rifle will make bang-bang. I’ll have the second coffin all ready. And your partner will double up on her speech over the twin graves. (to WOMAN) Won’t you?

WOMAN: With pleasure.

DIRECTOR: That will, I assure you, be one awe-inspiring show. It’s a pity that you won’t be there to enjoy it.

MAN: Your little jokes are stupid and out of place.

DIRECTOR: But I’m not joking at all. There’s less than twenty-four hours left before we thoroughly disgrace ourselves, so stop talking and buckle down at last. Every show demands hard work and preparation, and ours especially. It involves countless hordes of people, and we’re down to the wire.

CONSULTANT: You seem nervous. Afraid you aren’t going to make it?

DIRECTOR: I’m never afraid of anything. It’ll all be ready in time. I’ve staged spectacles on streets, and on squares, and in stadiums, and in swimming pools… And everything always went like clockwork. This is my profession. I work like a horse, but I demand the same attitude to the work from everyone else.