'Can't you both go?' suggested Eliza, disregarding the latter half of the speech.

'Yes, both, to be sure!' cried Rose; 'the more the merrier – and I'm sure we shall want all the cheerfulness we can carry with us to that great, dark, gloomy room, with its narrow latticed windows, and its dismal old furniture – unless she shows us into her studio again.'

So we went all in a body; and the meagre old maid-servant, that opened the door, ushered us into an apartment such as Rose had described to me as the scene of her first introduction to Mrs. Graham, a tolerably spacious and lofty room, but obscurely lighted by the old-fashioned windows, the ceiling, panels, and chimney– piece of grim black oak – the latter elaborately but not very tastefully carved, – with tables and chairs to match, an old bookcase on one side of the fire-place, stocked with a motley assemblage of books, and an elderly cabinet piano on the other.

The lady was seated in a stiff, high-backed arm-chair, with a small round table, containing a desk and a work-basket on one side of her, and her little boy on the other, who stood leaning his elbow on her knee, and reading to her, with wonderful fluency, from a small volume that lay in her lap; while she rested her hand on his shoulder, and abstractedly played with the long, wavy curls that fell on his ivory neck. They struck me as forming a pleasing contrast to all the surrounding objects; but of course their position was immediately changed on our entrance. I could only observe the picture during the few brief seconds that Rachel held the door for our admittance.

I do not think Mrs. Graham was particularly delighted to see us: there was something indescribably chilly in her quiet, calm civility; but I did not talk much to her. Seating myself near the window, a little back from the circle, I called Arthur to me, and he and I and Sancho amused ourselves very pleasantly together, while the two young ladies baited his mother with small talk, and Fergus sat opposite with his legs crossed and his hands in his breeches-pockets, leaning back in his chair, and staring now up at the ceiling, now straight forward at his hostess (in a manner that made me strongly inclined to kick him out of the room), now whistling sotto voce to himself a snatch of a favourite air, now interrupting the conversation, or filling up a pause (as the case might be) with some most impertinent question or remark. At one time it was, – 'It, amazes me, Mrs. Graham, how you could choose such a dilapidated, rickety old place as this to live in. If you couldn't afford to occupy the whole house, and have it mended up, why couldn't you take a neat little cottage?'

'Perhaps I was too proud, Mr. Fergus,' replied she, smiling; 'perhaps I took a particular fancy for this romantic, old-fashioned place – but, indeed, it has many advantages over a cottage – in the first place, you see, the rooms are larger and more airy; in the second place, the unoccupied apartments, which I don't pay for, may serve as lumber-rooms, if I have anything to put in them; and they are very useful for my little boy to run about in on rainy days when he can't go out; and then there is the garden for him to play in, and for me to work in. You see I have effected some little improvement already,' continued she, turning to the window. 'There is a bed of young vegetables in that corner, and here are some snowdrops and primroses already in bloom – and there, too, is a yellow crocus just opening in the sunshine.'