The way to the Regiment was not short, two times as long as to school which you bypassed on the right and the trail became wider and straighter, bound by the walls of tall Fir-trees until you went out onto the tarmac road which ended by the gate guarded by sentries, however, they did not stop boys and you could go on to the building with the signboard Regiment Club.

Inside, you got into a wide long corridor with 3 double doors in its blind wall. The other wall had windows in it and between them, as well as between the double doors, there hung a row of same-sized pictures portraying different soldiers and officers with brief descriptions of their selfless deeds and heroic deaths defending our Soviet Homeland.

The wide double doors opened to a huge hall without windows and full of plywood seats arranged in rows facing the wide stage with crimson velvet curtains. Those were partly drawn to both sides so as to open the wide white screen for movies. From the stage to the back wall—which had a pair of square black holes high up, near the ceiling, for movie projection—stretched the long passage splitting the hall into two equal halves…

The soldiers entered in groups, speaking loudly, stomping their boots against the boards in the paint-coated floor and, gradually, they filled the seats with their uniformed mass and the whole of the hall with the thick indistinct hum of their talking to each other. Time dragged awfully slowly. There were no pictures on the whitewashed walls and I re-read, over and over again, the two inscriptions on the red-clothed frames that screened the speaker boxes on both sides of the stage.

A portrait of a cut-out bearded head with the thick turf of hair was mounted onto the left frame and followed by the lines: “In science, there is no wide highway, and only they who fear no fatigue but keep climbing its stony footpaths will reach its shiny peaks.” The concluding line underneath explained whose head and words they were: “K. Marx.”

And, next to the velvet folds in the curtain drawn to the right, a head without hair and with a small wedge-like beard made it clear (even before reaching the bottom-most line) that it was Lenin who curtly said, “The cinema is not only an agitator but also a remarkable organizer of the masses.”

As the soldiers filled the entire hall, the schoolboys moved from the front rows over onto the stage and watched the movies from the backside of the taut screen. Not much difference if Amphibian Man dived from the cliff left to right contrary to what saw the watchers in the hall. And the rebel Kotovsky would all the same escape from the courtroom thru the window… Although, some boys stayed in the hall perching on the armrests between the seats because the soldiers did not mind.

At times, in the darkness illuminated by the flicks of the running film, there sounded a yell from one of the 3 double doors, “Lance-corporal Solopov!.” Or else, “The second squad!.” But each yell from any of the doors ended the same way, “To the exit!”

If the movie suddenly broke off and the hall sank in complete darkness, there arose a deafening wall of whistles and rambling boot-stomp at the floor and yells “shoemaker!!.” from all the sides…

After the movies at the Regiment Club, we walked home thru the night forest retelling each other the episodes of what we had just watched together, “Now! I say! The way he punched him!” “Hey! Hey! I say! The guy never knew what hit him!”

Of course, the Regiment Club was not the only place for movie-going. There always remained the House of Officers but there you had to buy a ticket and, therefore, come with your parents, yet they never had time for movies. True, on Sundays, there was demonstrated a free film for schoolchildren: black-and-white fairy tales or a color film about the young partisan pioneer Volodya Dubinin…