From your granddaughter Ania Chedia.

GRANDMA

My grandmother was an emotional and impressionable character. She was famous in academic circles as an excellent researcher and educator, and her students worshipped her. This clever and vivacious woman, so capable of independent thought and picking things up on the fly, was so zombified by Soviet propaganda that she turned out unable to filter information in favour of common sense.

The reason for my time in the cult had basically been pulled out of thin air.

Grandma had been born under a dictatorship and was exiled to central Asia. She had passed through fire and water, like everyone in those days, especially women. Giving birth in such unsanitary conditions was hellish. Dushanbe had grown out of semi-nomadic settlements so you can barely imagine the state of its medical facilities. In what passed for maternity wards you couldn’t even see the walls and ceiling, so covered were they with blood and flies. Grandma had given birth to my mother in Leningrad, but my uncle (mother’s brother) was born three years later in Dushanbe. Soon after birth he fell ill with polio, hardly surprising in those conditions. The whole family nursed Kotka, as he was affectionately known, from a spoon and dropper, and he miraculously survived. Since then he obviously occupied a special place in the family’s affections. When Kotka reached legal adulthood, Grandma decided there was something wrong with him, either because the Chief she had not long met put the idea in her head, or because there really was something strange about him. As I’ve mentioned before, in those times it was just not done to be out of the ordinary. Carmen and Don Jose only existed on the stage.

And my uncle was crazy for the stage: he graduated from the conservatory, where he had studied to be an opera director. But it was easier to declare eccentricity a mental deviation than to accept it or adapt to it. In those days, in that country, no one knew what it was or how to appreciate it.

This is precisely why operas were so popular – it was how Homo sovieticus achieved sublimation.

Grandma was a willful woman who had power over her son, and she assigned him to the collective for treatment. Elated by the idea of a panacea, she devoted her whole life to it. For in Dushanbe – this remote place on the border with Afghanistan; where there was nothing apart from hills, semi-nomadic settlements moulded from dung, and latrines where the only thing to wipe your backside with was a stone or your hand, which you then wiped on the wall; where to be female was shameful in itself; where the only chance to chat with other Russian-speakers was limited to a couple of opera trips in a year – had suddenly appeared a messiah from Moscow.

Yes, the Chief was from Moscow, with an apartment address on the prestigious Kotelnicheskaya embankment. He came with two daughters from his previous marriage, Katya and Yulia, his wife Valentina who was his faithful companion, and also two sons from his previous marriage, Vladimir and Andrei. And trailing after this gang came a flock of about 30 people known as the collective. All of them had left their homes and apartments and had come roaming over the whole USSR in search of refuge and new patients to treat. Blood-sucking parasites in search of a warm body to burrow into.

Grandma was glad to feel part of something bigger than herself, a mission to save humanity. Her apartment and all her meagre possessions fell to the disposal of the collective. As someone with influence, known over the whole of Tajikistan, Grandma immediately brought new people and resources to support the collective in its work.