Making a conclusion about the indisputable kinship of the archaic East Slavic and Indo-Iranian complexes, we must emphasize that, despite the significant diversity of these ornaments in the Indo-Iranian region, the most archaic types and their greatest diversity are characteristic of East Slavic, specifically North Russian folk art. It is here that practically all links of the millennial ornamental tradition have been preserved intact, starting with the Upper Paleolithic rhombo-meander motifs and up to the most complex Abashev, Pozdnyakov and Andronovo ornamental complexes.

All this allows us to conclude that it was on the territory of Eastern Europe that the most ancient geometric ornamental complexes were formed, which became sacred symbols of the Indo-Iranian peoples, on the one hand, and did not lose their sacred functions of amulets and signs of kinship among the East Slavic peoples, until the beginning of the 20th century, with another.