The umbrella could not locate me – there were four standing around the room, and all alike. I thought I would feel along the wall and find the door in that way. I rose up and began this operation, but raked down a picture. It was not a large one, but it made noise enough for a panorama. Harris gave out no sound, but I felt that if I experimented any further with the pictures I should be sure to wake him. Better give up trying to get out. Yes, I would find King Arthur’s Round Table once more – I had already found it several times – and use it for a base of departure on an exploring tour for my bed; if I could find my bed I could then find my water pitcher; I would quench my raging thirst and turn in. So I started on my hands and knees, because I could go faster that way, and with more confidence, too, and not knock down things. By and by I found the table – with my head – rubbed the bruise a little, then rose up and started, with hands abroad and fingers spread, to balance myself. I found a chair; then a wall; then another chair; then a sofa; then an alpen-stock, then another sofa; this confounded me, for I had thought there was only one sofa. I hunted up the table again and took a fresh start; found some more chairs.

It occurred to me, now, as it ought to have done before, that as the table was round, it was therefore of no value as a base to aim from; so I moved off once more, and at random among the wilderness of chairs and sofas – wandering off into unfamiliar regions, and presently knocked a candlestick and knocked off a lamp, grabbed at the lamp and knocked off a water pitcher with a rattling crash, and thought to myself, “I’ve found you at last – I judged I was close upon you.” Harris shouted “murder,” and “thieves,” and finished with “I’m absolutely drowned.”

The crash had roused the house. Mr. X pranced in, in his long night-garment, with a candle, young Z after him with another candle; a procession swept in at another door, with candles and lanterns – landlord and two German guests in their nightgowns and a chambermaid in hers.

I looked around; I was at Harris’s bed, a Sabbath-day’s journey from my own. There was only one sofa; it was against the wall; there was only one chair where a body could get at it – I had been revolving around it like a planet, and colliding with it like a comet half the night.

I explained how I had been employing myself, and why. Then the landlord’s party left, and the rest of us set about our preparations for breakfast, for the dawn was ready to break. I glanced furtively at my pedometer, and found I had made 47 miles. But I did not care, for I had come out for a pedestrian tour anyway.

When the landlord learned that I and my agents were artists, our party rose perceptibly in his esteem; we rose still higher when he learned that we were making a pedestrian tour of Europe.

He told us all about the Heidelberg road, and which were the best places to avoid and which the best ones to tarry at; he charged me less than cost for the things I broke in the night; he put up a fine luncheon for us and added to it a quantity of great light-green plums, the pleasantest fruit in Germany; he was so anxious to do us honor that he would not allow us to walk out of Heilbronn, but called up Goetz von Berlichingen’s horse and cab and made us ride.

I made a sketch of the turnout. It is not a Work, it is only what artists call a “study”—a thing to make a finished picture from. This sketch has several blemishes in it; for instance, the wagon is not traveling as fast as the horse is. This is wrong. Again, the person trying to get out of the way is too small; he is out of perspective, as we say. The two upper lines are not the horse’s back, they are the reigns; there seems to be a wheel missing – this would be corrected in a finished Work, of course. This thing flying out behind is not a flag, it is a curtain. That other thing up there is the sun, but I didn’t get enough distance on it. I do not remember, now, what that thing is that is in front of the man who is running, but I think it is a haystack or a woman. This study was exhibited in the Paris Salon of 1879, but did not take any medal; they do not give medals for studies.