I think the original was better than the copy, because it had more windows in it and the grass stood up better and had a brisker look. There was none around the tower, though; I composed the grass myself, from studies I made in a field by Heidelberg in Haemmerling’s time. The man on top, looking at the view, is apparently too large, but I found he could not be made smaller, conveniently. I wanted him there, and I wanted him visible, so I thought out a way to manage it; I composed the picture from two points of view; the spectator is to observe the man from bout where that flag is, and he must observe the tower itself from the ground. This harmonizes the seeming discrepancy.

Near an old cathedral, under a shed, were three crosses of stone – moldy and damaged things, bearing life-size stone figures. The two thieves were dressed in the fanciful court costumes of the middle of the sixteenth century, while the Saviour was nude, with the exception of a cloth around the loins.

We had dinner under the green trees in a garden belonging to the hotel and overlooking the Neckar; then, after a smoke, we went to bed. We had a refreshing nap, then got up about three in the afternoon and put on our panoply. As we tramped gaily out at the gate of the town, we overtook a peasant’s cart, partly laden with odds and ends of cabbages and similar vegetable rubbish, and drawn by a small cow and a smaller donkey yoked together. It was a pretty slow concern, but it got us into Heilbronn before dark – five miles, or possibly it was seven.

We stopped at the very same inn which the famous old robber-knight and rough fighter Goetz von Berlichingen, abode in after he got out of captivity in the Square Tower of Heilbronn between three hundred and fifty and four hundred years ago. Harris and I occupied the same room which he had occupied and the same paper had not quite peeled off the walls yet. The furniture was quaint old carved stuff, full four hundred years old, and some of the smells were over a thousand. There was a hook in the wall, which the landlord said the terrific old Goetz used to hang his iron hand on when he took it off to go to bed. This room was very large – it might be called immense – and it was on the first floor; which means it was in the second story, for in Europe the houses are so high that they do not count the first story, else they would get tired climbing before they got to the top. The wallpaper was a fiery red, with huge gold figures in it, well smirched by time, and it covered all the doors. These doors fitted so snugly and continued the figures of the paper so unbrokenly, that when they were closed one had to go feeling and searching along the wall to find them. There was a stove in the corner – one of those tall, square, stately white porcelain things that looks like a monument and keeps you thinking of death when you ought to be enjoying your travels. The windows looked out on a little alley, and over that into a stable and some poultry and pig yards in the rear of some tenement-houses. There were the customary two beds in the room, one in one end, the other in the other, about an old-fashioned brass-mounted, single-barreled pistol-shot apart. They were fully as narrow as the usual German bed, too, and had the German bed’s ineradicable habit of spilling the blankets on the floor every time you forgot yourself and went to sleep.

A round table as large as King Arthur’s stood in the center of the room; while the waiters were getting ready to serve our dinner on it we all went out to see the renowned clock on the front of the municipal buildings.